Artists I Love

"What is your quest? What is your favorite color?"



"A Moose Once Bit my Sister...."



Sunday, February 12, 2012

Part One: It's like shopping with no grocery list.....




I would like to point out that painting digitally is a lot harder than some traditionalists give credit for. This one didn't come out at all like I'd planned, however I'm not surprised (lets face it, I can't get way from some intense brushwork these days) and I am actually pretty satisfied with it. This seems to be a healthy step in the right direction of a frame of mind that supports this exploration process. It's all going to be okay.

I find the work I enjoy most, is the work I create just to create. It has so much more freedom and expression. I don't think this is uncommon for artists. Here's to the future, cheers!

-I.B

Saturday, January 21, 2012

It's Good To Be Back



It's so good to be back to digital art. I feel as if I'm finally starting to get back the "feel" for it like before. Who knows what will come next?

I went to a SCAD admissions presentation today. It was great! The Admission Reps were very friendly and helpful. We shall see what comes of a dream from a long time ago! Now for Shaun The Sheep and Tea. I really need to work on my posture if I'm going to get back to this digital art thing. My back is killing me!

-I'

Wednesday, January 4, 2012

It's a learning curve, Capt'n!



A year is a long time to be away. A long time to roam your sketchbook, and draw a hundred little drawings without thinking. It was good. I don't regret it, as much as I'm suddenly reminded how little I know or am capable of doing. This isn't a beat down, just a reality check and wall I'm working on scaling. Or maybe tearing down. I wouldn't mind remodeling.

Upon reflection, I think I felt wiped after graduation. Then I felt guilt for not pursuing all the things I thought I'd pursue afterwards. The freedom to be free, and you just....drift. I think it was a good idea. Now I'm much more motivated and willing to pick the pace back up again. Is that so wrong? Don't mistake my approval of "vacation time" for no work ethic. We should work even when we don't want to. That's what a sketchbook is for perhaps. Just a record, just a stay busy. My only problem was facing the lack of challenge. Oh boy am I on now.

I'm going back to my first love. Digital art. It's what brought me in (unless you count that glorious Player's Guide that came with my N64 Ocarina of Time that was packed full of art that made me dream and draw). I have 11 days left on Corel Painter 12 free trial, and boy has it been an eye-opener. I feel like a kid again who doesn't know how to use paint. It's been great though, and well worth it, so I'll stash money here and there to buy it. I tried some other free programs, but I still like Corel.

It's going to be an interesting ride, this one. I've got dreams that I'm preparing for. I see the next two years as a perfect opportunity to explode and grow. It's pretty exciting. Painful even, but gratifying!

I didn't make a new years resolution, but it did occur to me just after the year turned that I was going to draw without fear, the way I did when I was younger. I'll accept the flaws and crappy art for little steps forward. I'll take my time to study color, line, shadows, fabric, landscapes, and all those things I used to think were so boring during undergrad. I'll take time to flesh out my foundations. It's great. Kinda no-stress exploration. It's a chance to be a little forgiving.

Chow!

-Issa

Thursday, August 26, 2010

Food For Thought

I was going through music on YouTube and found one of my (very few) favorite music videos. It's directed by Peter Sluszka,a native New Yorker and Alumni at Columbia University. Some of you are probably familiar with the music artist Regina Spektor and her song Samson. It is absolutely beautiful and compelling. A perfect combination between audio and visuals, creating a piece that is something all together better than the run of the mill music videos one usually sees. I certainly see it as a piece of artistic work on both ends.



Another beautiful video with equally beautiful audio is one I only just discovered. It is a collaboration between musical artists Lior and Sia (I was unfamiliar with Lior, but a fan of Sia's). It is called I'll Forget You, and displays exquisite puppetry. It makes me almost want to altogether change my approach to my project on Vasilisa and work simply with shadows boxes as before, and silhouette. It has certainly introduced new mediums to add to my work.



The video was also a collaboration between Stephen Mushin and Stories From the Ground' Puppetry, and Natasha Pincus, an award winning director. Beautiful aren't they?

The Center of the Twinkie



It's late August, and September is peeping through my window letting me know that Old Man December is going to be here, demanding finished work. Deadlines are certainly a good thing but before I get there I always wish I could skip the work and get to the end, only to remember I'd probably miss something really great if I did, so I have to be content to modge-podge the days together. It's actually not so bad, but meanwhile, I'm going to keep working.

My latest discovery, which really is more common sense than anything else, is the art of getting to the center of the Twinkie. You should also know that a Twinkie in this case is a metaphor for an Art Series. I know, a real one would be really amazing about now too, frozen preferably,but we'll have to indulge after I finish up working. Right now, metaphorically speaking, I'm going to address getting to the center of the twinkie: concept.

Karen Spears, Area Chair and Professor of Painting at Eastern Kentucky University once described to me a way in which to focus on one's concept during the early stages of development. She gave the metaphor of solving world peace and starting minutely. Before we can solve the world, we've got to solve the continent, and before that, the nations, and before that, the states/providence's or what have you, and before that the cities, to towns, to individuals. Much like you would write a paper, you should choose your subject, select your topic, and continue to refine it until you have found one detail in which you are able to chew on without being overwhelmed.

If you have been following this blog the last few months, you'll know that I wish to retell the story of Vasilisa the Fair, or at least address particular points of interest. There are so many good things that can come from this series, that as I sat down to work further than backdrops and cut-outs I asked myself what it was I really wanted to say to my audience.

So how do you get to the center of the twinkie? Start Eating! Hence I sat down and took a bite. It helps to write, or maybe for others it helps to draw, but writing your thoughts about the work really clarifies things and I found so very many parallels with feminism and the development of the female in modern society that I chose it as my center. Vasilisa the Fair, although a very traditional Russian tale, still resonates with modern American audiences, especially female audiences. Unlike Vasilisa's literary cousin Cinderella who is a passive participant in her deliverance, our heroine is an active individual within her tale. She only meets her love by way of her own perseverance and trust. Unlike many canonized heroines who are left to the ingenuity of their saviors, the fair daughter of a merchant is a blend of strength and femininity-- a very appealing concept for today's females. Within even the fashion world, clothing for women has become more dainty, delicate and reminiscent of glamorous eras when woman were not in the workplace, but today, females are realizing they want equality for all females, while still remaining proud of being feminine without the stereotype of weak, or damsel-in-distress.

Rather interesting isn't it? That old tales still teach us something about the world, hundreds of years later and in a different culture? Now to find a real twinkie...

Wednesday, July 21, 2010

A Kid in a Candy Store...

So, I feel like a big dork when I get so excited I'm flabbergast. I recently watched one of my favorite Disney films, Sleeping Beauty (a blend of geometrics, realism, and medieval styles, and amazingly smooth animation) and took the time to watch the background art in the film. SO beautiful and really looking back, I realize it's been something that has captivated me since I was little. The same goes for the background art of Alice in Wonderland, and H. Anderson's Wild Swans animated by the Russian Studio, Soyuz MultFilm in the early 60's (same time as Sleeping Beauty). Well I decided to do some more research into the backdrop art of Sleeping Beauty and discovered this blog. The artist responsible is Eyvind Earle.



I could post image after image. I have to have a book of his work!








*sigh*

And another amazing artist, art director and illustrator of Alice in Wonderland: Mary Blair.






And finally, the movie I never forgot, even after 15 or 16 years of it's absence. Somehow it was something that embedded itself in my memory ever since I was a little girl. When I thought to look it up online this past year, I was able to pick out the style distinctly while searching. I wish I could get it on dvd in english. Or heck in the traditional Russian would be great too, so long as it played on my region DVD player. =0 I will have to look.

The Wild Swans or "Дикие лебеди, Dikiye lebedi". I don't know who did the art, but it's stuck with me. Images are difficult to find too. BUT, I've found the entire film just now on youtube! First video!!! Oh I'm so excited!